Arts, entertainment, culture and lifestyle facts and/or opinions. Editorial work variously performed by Jeffrey Lee Puckett, Stephen George, Mat Herron, Gabe Soria, Thomas Nord, David Daley, Lisa Hornung, Sarah Kelley, Sara Havens, Jason Allen, Julie Wilson, Kim Butterweck and/or Rachel Khong.
Wednesday, September 21, 2011
Rosanne Cash’s memory banks
Acclaimed singer-songwriter Rosanne Cash comes to the University of Louisville Kentucky Author Forum Monday for a well-paired interview with Nick Spitzer, the host of public radio’s “American Routes.” Cash recently published her memoir, “Composed,” and is already thinking about starting a second volume.
LEO: You’re coming to Louisville for a talk, instead of a performance.
Rosanne Cash: I know, I haven’t been to Louisville in a long time, so I’m really looking forward to it.
LEO: What kept you away from us for so long?
RC: I don’t know! (laughs) Someone tells me to show up somewhere and I go, and no one told me to show up in Louisville for a long time!
LEO: Do you have any fond memories of us?
RC: Well, King’s Record Shop, of course. That was a great moment, going to that store. I’m so sad it doesn’t exist anymore. There’s something to be said for brick and mortar record stores. I found a lot of records that way, flipping through the racks.
LEO: Do you enjoy doing interview shows, as opposed to putting on a full concert?
RC: I like it — it’s fun. I like the give-and-take. I particularly like the Q&A session. It interests me — what people think about, what moves them. I’m a social animal. I was doing one of these the other night, and some guy asked about the bass part on a song I had recorded. I love that!
LEO: You’ve got your book, “Composed,” to talk about, and (recent album) The List —
RC: And (greatest hits collection) Essential, that came out on my birthday.
LEO: Do you think it’s because of your age, or just your feelings right now about your career, that you’re in a reflective period?
RC: Well … partly? I mean, I’d hate to think it’s just that end-of-career, end-of-life thing, but I think I’m at the point where I have to reassemble — look at the past, draw from it, get another plan together, draw on the best of it to see the future, you know?
LEO: Absolutely. I wasn’t thinking about it as an end, more like a halfway point, where you —
RC: Yeah, re-gather your resources. But, see, some people tell me they don’t want an Essential done on them, because they think it means end-of-career, like it’s over. I didn’t take it that way at all.
LEO: How comfortable do you feel telling stories that not only represent you, but also other people, in your books and songs?
RC: Well, I don’t feel any responsibility for being factual in songs. I take poetic license left and right. I used to teach a songwriting workshop; a lot of young songwriters, I would suggest a change and they’d say, “That’s not how it happened,” and I’d say, “There’s no fact-checker here.” But, in the memoir, yeah, I felt a responsibility to be factual. In fact, I checked things out with my sister: “Do you remember it like this?,” because I think, if it’s got memoir on the cover, then it has to be factual.
LEO: Would you say that all songs are fictional by definition?
RC: No, I wouldn’t say they’re all fictional; they’re certainly drawn from my life. I haven’t written anything I got from television.
LEO: What do you think it is about writers that makes us want to describe things to other people?
RC: Oh, God, that impulse is as old as we are, isn’t it? To tell stories, to document, to observe … As an art fan, if I stand in front of a painting or hear a song that moves me and makes me think about my own life — that’s a common need in all of us, isn’t it?
LEO: Do you ever feel competitive toward other writers or songwriters?
RC: Is it awful if I say yes? (laughs) Of course I do! If I hear a song by Elvis (Costello) or Steve Earle and I go, “Damn! How did they get that one?”
LEO: And then you cover them later.
RC: Yeah, then I cover them later (laughs). Or, it’s inspirational. I want to get better, I want to say, “I want to write a song as good as that. I need to buckle down.”
Rosanne Cash
Monday, Sept. 26
Kentucky Center, Bomhard Theater
501 W. Main St.
www.kentuckyauthorforum.com
$20 (interview only), $100 (interview and dinner); 6 p.m.
c. 2011 LEO Weekly
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