Digi Snacks
(Koch)
Some people get better with age. Most people who’ve known me would agree, if the discussion is about me, but this one isn’t. Fans of the RZA’s, from 36 Chambers through Ghost Dog to today, might argue that he’s already shocked the world and can never rise to his peak again, but they miss the point. Like the bluesmen of the 20th century, he’s getting deeper as he gets older.
His intensity gets scarier, his sexual digressions ("Good Night") get more uncomfortable and his weirdness (care to explain "Would you rather have a digi or a Scooby snack"?) — he still just doesn’t care if you get it. I mean, the dude’s got an El DeBarge cameo on his record in 2008.
To me, who’s heard a few thousand records at least, probably hundreds of them by a Wu Tang Clan member, nothing shows maturity and mastery more than making more bold, cold records long after the cool kids have moved on to the new trend. Long live Shaolin!
c. 2008 LEO Weekly
Arts, entertainment, culture and lifestyle facts and/or opinions. Editorial work variously performed by Jeffrey Lee Puckett, Stephen George, Mat Herron, Gabe Soria, Thomas Nord, David Daley, Lisa Hornung, Sarah Kelley, Sara Havens, Jason Allen, Julie Wilson, Kim Butterweck and/or Rachel Khong.
Wednesday, July 09, 2008
Melvins
Nude with Boots
(Ipecac)
The fact that the Melvins still exist isn’t that odd. It seems like pretty much every band that ever made an impact still exists, even if they broke up in 1979 and only reunited last month. Even Krist Novoselic from Nirvana plays bass in Flipper today. What’s odd about the Melvins’ existence today is that they never left, the two founding members still seem to care as much now as they did in 1986, and they still rock, even when they drone for minutes on end.
Kicking out of the gates with the Kiss-esque "The Kicking Machine," the old boys (and their young partners, Big Business, returning for another collaboration) rock as if it’s all that matters in the world. By track 4, a cover of the eerie classic "Dies Irae," you’ll forget that rock ’n’ roll has happened yet. Throughout the 11 songs, the band provides a master class in how far four smart dumb guys can stretch the boundaries of what someone might call “heavy metal,” by adding major elements of experimentation, progressiveness and stupidity.
c. 2008 LEO Weekly
(Ipecac)
The fact that the Melvins still exist isn’t that odd. It seems like pretty much every band that ever made an impact still exists, even if they broke up in 1979 and only reunited last month. Even Krist Novoselic from Nirvana plays bass in Flipper today. What’s odd about the Melvins’ existence today is that they never left, the two founding members still seem to care as much now as they did in 1986, and they still rock, even when they drone for minutes on end.
Kicking out of the gates with the Kiss-esque "The Kicking Machine," the old boys (and their young partners, Big Business, returning for another collaboration) rock as if it’s all that matters in the world. By track 4, a cover of the eerie classic "Dies Irae," you’ll forget that rock ’n’ roll has happened yet. Throughout the 11 songs, the band provides a master class in how far four smart dumb guys can stretch the boundaries of what someone might call “heavy metal,” by adding major elements of experimentation, progressiveness and stupidity.
c. 2008 LEO Weekly
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