(Ipecac)
If you have followed Mike Patton’s journey from late-’80s backward-baseball cap-wearing, funk-rocking frontman for the never truly understood Faith No More on to Century 21 middle-aged, experimental, underground art screamturbator, then you’ve been witness to an ever surprising, uniquely inspiring voyage of risk-taking and discovery.
Tomahawk has existed, arguably, under the beer-belly shadow cast by Patton’s other heavy music supergroup, Fantomas. The latter, under Patton’s direction, has had more unique concepts. Tomahawk, led artistically by guitar ace Duane Denison (Hank III, The Jesus Lizard), has stood out as a (relatively) more subtle prog/jam/space project.
Anonymous bills itself as a collection of early 1900s songs from Native American tribes, found while researching their culture. Representative song titles include “Ghost Dance” and “Song of Victory.”
Most vocals are predictably wordless and/or screamed, at times chanted. When the vocals are understandable, as in the suggestive “Mescal Rite 2,” they seem inauthentic as native hymns. While respectful in general, the band often brings their fast and heavy rock sledgehammer to the ceremony, which might be misunderstood by teen boy fans as mockery.
c. 2007 LEO Weekly
