Wednesday, May 25, 2011

Kentucky super magnet Dawn Landes brings another one home



Dawn Landes is a smart, playful singer-songwriter who has earned critical praise and the modern version of hit singles — her songs have popped up often on TV. She performed with the band Hem before her solo work resulted in a following of her own. Her folky, accessible songs might be the easiest clue that this Brooklyn resident actually hails from a city more relaxed and Southern.

LEO: You’re from Louisville. So, where did you go to high school?
Dawn Landes: I went to Ballard. Go Bruins!

Landes, 30, once worked as an audio engineer in New York recording studios and has high standards for live sound quality. “It’s always a little unnerving to put your music into the hands of a total stranger each night, so that took some getting used to, but we’ve started to control more of our sound from the stage,” she says. “Sometimes I miss the smaller rooms with the Mackie mixer right there onstage.”
Her band has included other Louisvillians. When asked about her drummer, a veteran of the Java Men and King Kong, Landes says, “Ray Rizzo is the maaann! Hands down, a true magic man. Ray and I have been playing music together for over 10 years now; we met when I was still in high school and couldn’t even sneak myself in to a Java Men show. I love the fact that we both have roots in Louisville. For a while there, I was touring as a trio with an all-Louisville band — me, Ray and Eric Stephenson on cello. There’s some kind of Kentucky super magnet that pulls people together — just ask any NYC transplant.”

Are there other locals who intrigue her? “I’d love to work with Jim James someday. I’m always excited to hear what he’s working on. And Will Oldham scares me, in a good way.”

The band has been working recently in upstate New York on a new album, “at a big old haunted house, recording ideas and trying to spook each other. I took a few songs down to Mississippi last week and had some high school marching band kids play on a few tracks — that was fun. I’m hoping to finish up the songs in the next few months.”

LEO: Tell us about the Bandana Splits.
DL: Of course! The Bandana Splits is a girl group I formed with two friends last year. We all play in other bands but just kept getting together to hang out and couldn’t help but write a bunch of songs together. I love singing with those ladies. We’re all pretty inspired by the Andrews Sisters’ kooky harmonies and the Phil Spector wall-of-sound. Check it out! Our record is coming out this summer, late July.

Landes is happy to have gained an audience, though she says, “I do notice that people tend to sing along to my songs that have been in TV shows and commercials. Other than that, the music industry is a complete mystery to me.”

LEO: You’re playing at Churchill Downs. What do you think about Derby and that aspect of our local culture?
DL: I’m really excited to play at the Downs. That’s where I went to prom for the first time, and I love the Derby. I was just at Jazz Fest in New Orleans for the past Derby and found myself crowded around a tiny TV with a handful of Kentuckians, shouting “Go Pants on Fire!” As for that aspect of the culture, I love the pageantry and tradition as much as the Chow Wagon.

Dawn Landes & the Hounds
Friday, May 27
Churchill Downs
www.churchilldowns.com
$10; 8:15 p.m.

c. 2011 LEO Weekly

Another funky night, another jazzy city

The New Mastersounds emerged from Leeds, England, in the late ’90s as a group completely uninterested in the then-popular Britpop sounds of Oasis and Blur. Their update of swingin’ ’60s jazz-funk quickly endeared them to music aficionados who yearned for both old sounds and young energy. Their collaborators have ranged from members of the Meters and the Headhunters to younger talents such as Grace Potter, Karl Denson and Mr. Scruff. LEO caught up recently with guitarist Eddie Roberts.



LEO: How do you describe your music to someone who’s never heard you before? Do you describe it differently to older and younger people?
Eddie Roberts: I find that describing our music does depend on the person you are describing it to, as the term “funk” can mean so many different things to different people — from James Brown to George Clinton to Funky House. You have to do a little digging to find out how much music history the person has — “Have you heard of the Meters? James Brown?” If the answer is no, then I would tell them that we play funky music to make people dance. If the answer is yes, then I would say that we came from a scene in the UK of DJs playing old funk and soul, and we learned by imitating those old records, and that we treat our show like a DJ would by keeping the dance floor going and taking the audience on a journey.

LEO: What is your process like for creating new music?
ER: We pretty much work the same way on every album. We like to work quickly, five days at the most. We leave a lot of the creative process for the studio, but enter into it with a lot of sketched ideas. I feel that, this way, you capture a spontaneity and energy in the music.

LEO: How do you get introduced to collaborators?
ER: Generally, we either knew them before or we’ve met each other at festivals or just on the road. The collaboration starts with us all feeling that we would simply love to make some music together.

LEO: Do you think you would be happier living in an earlier time?
ER: Not really. I think it’s a very romantic idea, but the reality is, life has so many more opportunities for more people these days — and who knows, I might not have been in the right place at the right time in 1967!

LEO: Your website notes that My Morning Jacket is playing (a sold-out show) on the same night as you. How do you feel about situations like this?
ER: Every night in every city, there is always “another” show going on, and more often than that, by a more popular band. People simply make their choice on any given night with what they feel like, and a number of other factors.

The New Mastersounds with Deep Fried 5
Tuesday, May 31
Headliners Music Hall
1386 Lexington Road • 584-8088
www.newmastersounds.com
$15; 9 p.m.

c. 2011 LEO Weekly