Tuesday, May 18, 2010
Cheyenne Marie Mize interview
Cheynne Marie Mize's debut album, Before Lately, is now available. See her next on Friday, June 4th at Glassworks.
Where did you grow up? Is your family musical or artistic?
I've lived in Louisville more years than not, but I grew up on a farm in southern Kentucky. My dad's family is both musical and artistic... everyone is either a musician, painter, architect, or some combination of the three. I grew up hearing my mom sing and play piano, but she never did music professionally.
What is your musical background / training?
Different, depending on the instrument... I have played piano the longest, had a few lessons when I was young and have been learning on my own ever since. I started guitar and violin when I was 10... played violin in school orchestras, then eventually started picking up some other styles along the way. All my guitar playing, I learned from just trying to figure out songs I heard or trying to imitate my brother or uncle. Banjo, dulcimer, autoharp, and drums, I just fool around with when I'm alone, or when someone is silly enough to let me play them in a band (thanks, ladies!).
Who are your musical favorites/inspirations?
Just a few from old to new: Debussy, the Carter Family, Hank Williams, Pink Floyd, Ali Farka Toure, Dirty Three, PJ Harvey, Radiohead, Bonnie 'Prince' Billy, Neutral Milk Hotel, Shannon Wright, Susanna Wallumrod, I could go on and on about more contemporary artists and new favorites...
What bands/projects are you currently involved with? How did you get involved with them?
Oh, boy. Listing all these makes me hyperventilate a little, because then I realize how much work I need to be doing right now instead of answering these questions... Arnett Hollow, Maiden Radio, Ben Sollee, Saredren Wells, Thomas A. Minor and the Picket Line, Joe Manning, The Health & Happiness Family Gospel Band, the Dear Companion touring band with Ben Sollee & Daniel Martin Moore, and now some of my own music, as well, with the help of many of the above-mentioned artists. I have or will play and/or record with these groups/artists this month. I got involved with all of them because of Louisville.
What do you hope to achieve with music?
To me, this is like asking, "What do hope to achieve by breathing?" It's not really a choice, there's no real final outcome. It's just what I do.
c. 2010 Velocity Weekly