Music fans of a certain age might remember the concept album. The idea — telling one oft-incoherent story over 12 overblown rock songs — gave us such beloved characters as Tommy and Mr. Roboto. An idea best remembered on some VH1 show, you say?
Apparently, no one told The Decemberists. The literary-minded band's latest, The Hazards of Love, out this week, is a concept album that one critic described as "about a girl named Margaret, shapeshifters, forest queens and fairytale treachery."
But the concept album doesn't have to be ridiculous. These five set the standard.
Husker Du, Zen Arcade
(1984): The story of a runaway who learns just how hard life is found this intense trio taking punk rock far beyond its previous boundaries. A generation of fans, musicians and critics was changed, though you'd never know it by album sales alone
Marvin Gaye, Here, My Dear
(1978) After a messy divorce, Gaye agreed to record an album to pay off his debts. Gaye couldn't help but use the album as therapy, bringing seductive soul to lyrics like, "When did you stop loving me, when did I stop loving you?"
David Bowie, The Rise and Fall of Ziggy Stardust and the Spiders from Mars
(1972): The story of the rock star as alien, here to help us humans before we destroy our civilization, is better known and enjoyed for its cutting-edge glitter rock sound and transgendered live show.
The Kinks, The Kinks Are the Village Green Preservation Society
(1968): Young Decemberists fans would be wise to check out this actually-British group. This tale of enjoying rural life as an escape from the big, bad modern city has melodies for miles.
Frank Sinatra, In the Wee Small Hours
(1954): Considered the first long-player grouped around a theme, Sinatra hit his stride with this collection of tearjerkers about staying up late, lamenting lost love.
c. 2009 The Courier-Journal
Arts, entertainment, culture and lifestyle facts and/or opinions. Editorial work variously performed by Jeffrey Lee Puckett, Stephen George, Mat Herron, Gabe Soria, Thomas Nord, David Daley, Lisa Hornung, Sarah Kelley, Sara Havens, Jason Allen, Julie Wilson, Kim Butterweck and/or Rachel Khong.
Friday, March 27, 2009
Tuesday, March 10, 2009
Unsung Songwriters
Flying under the radar, 'outsider' musicians play to the beat of a different drummer.
“Have you ever been to a place / where there exists no human race? / doobie doobie doo / doobie doo,” begins “Questionnairre,” the most famous song by Victoria Galinsky. Pianos tinkle percussively, suggesting a lost sister of Tori Amos or Fiona Apple.
It’s Galinsky’s most famous song because she made a video for it, which has been viewed on YouTube 755 times, a surprisingly low number considering that the video is unforgettable. In it, Galinsky floats in front of a computer-generated suburban house, plastic green leaves flowing from her head to her shoulders, like a mom who drank too much wine at a toga party. Then, a bench filled with teens appears. They laugh as if embarrassed to be participating. Not much else happens.
Galinsky, 40, has released four full-length albums since 1997, with titles like Space Ovary and One Bean Taco, to Go. On her MySpace profile, she writes, "I'm an ancient healer from Atlantis. I have a broken crystal from the land of the young. It is thousands of years old. Possibly 50,000 years. Spaceships are following me."
Outsider musicians like Galinsky channel the sounds heard in their heads and transfer them onto compact discs, so that others may share in their journey.
"They're definitely some of the most ambitious and eclectic people housed in our local music section, in terms of personality," said Sean Bailey, whose job at the record store Ear X-tacy is to figure out which local bands and artists are worthy of inclusion in the store's inventory.
And they are persistent. Corporate radio stations treat them like red-headed stepchildren, while non-profit WFPK-FM, the city's only meaningful outlet for local musicians, treats them as curiosities at best. But they soldier on.
Markus is the nom de rock of Mark Spence, who’s "42 going on 21". He plays stadium-ready, synthesizer-driven rock that otherwise died in the 1980s after being perfected by the likes of Journey and Whitesnake. Fans (many of them employed at Ear X-tacy, Music-Go-Round and Wild & Woolly Video) tout his pure, Springsteen-esque approach to rock and romance, with songs like “Play It Loud”, “Winner in You”, “This Must Be Love”, “A Better Man”, “Champion” and “Stand Up (Shout Out Loud)” testifying to his single-minded approach.
A grocery store employee, Spence performs all of his songs using computer software programs, lately working with co-writers via phone or online. Spence, like Galinsky, offers his discs for sale through CD Baby, a website popular with independent musicians. "I wouldn't mind having a lot of people listen to me without having to jump through hoops," he said, "and I'm thankful for the internet."
In Jeffersonville, the girls of The Hi-Tops range between 10 and 14 years old and have been playing for four years now. They started after a viewing of Freaky Friday (the remake, not the original) inspired them to rock out like a young Lindsay Lohan.
This past January, they played a showcase at the National Association of Music Merchants trade show, where they performed for a talent scout from Nickelodeon. Locally, they've played at Waterfront Park, the Phoenix Hill Tavern, and at a fundraiser for then-Senator Hillary Clinton's presidential campaign, where they met original riot grrl Chelsea Clinton. When they need to get around, they hop into their brightly colored bus or their limo, a customized 1976 Cadillac.
However, the girls - Ally Whitlow, Bayley Whitlow, Remi Maxwell, Jessie Madill and Madi Cunningham - profess to be more ordinary. "Don’t need to be 'American Idol' / Don’t need to be a movie star / Don’t need to have a fancy title / Just be who you truly are," they preach in the inspirational tune "You". Another song, "Welcome to My World," describes in detail an average day in the teen life. "Can you dig it? I live it!"
Okolona resident Ronald Jenkees hasn't traveled far from his roots ("I grew up in good ol' PRP"), but his videos on YouTube – he calls it, charmingly, "YouTubes" – have made fans out of Katy Perry, Linkin Park and ESPN's Bill Simmons. With an exaggerated country boy persona fused with a passion for videogame-style electronic keyboards, Jenkees has earned 90,000 subscribers on YouTube, people who have signed up to be alerted whenever he posts a new video. Simmons commissioned him to compose a theme for his podcast, and Jenkees is meeting with members of Papa Roach next month to discuss doing a remix of one of the band's songs.
The 28-year-old is able to call music his job, fueled by sales of his album through iTunes and his website. Though he's interested in working as a producer, in the style of trendsetters like Timbaland and Dr. Dre, Jenkees is close with his family, loves his hometown and has no desire to live the life of a touring musician.
For now, he says he’s happy because he gets to combine "two of my favorite things in the world - music and goofiness." His second album - "(It) was supposed to come out last summer, then Christmas, now I've stopped naming dates" - is sure to get more acclaim for the guy who just can't crank out YouTubes fast enough to satisfy his fans.
"People can see when you're really having fun. It's contagious."
c. 2009 Velocity Weekly
“Have you ever been to a place / where there exists no human race? / doobie doobie doo / doobie doo,” begins “Questionnairre,” the most famous song by Victoria Galinsky. Pianos tinkle percussively, suggesting a lost sister of Tori Amos or Fiona Apple.
It’s Galinsky’s most famous song because she made a video for it, which has been viewed on YouTube 755 times, a surprisingly low number considering that the video is unforgettable. In it, Galinsky floats in front of a computer-generated suburban house, plastic green leaves flowing from her head to her shoulders, like a mom who drank too much wine at a toga party. Then, a bench filled with teens appears. They laugh as if embarrassed to be participating. Not much else happens.
Galinsky, 40, has released four full-length albums since 1997, with titles like Space Ovary and One Bean Taco, to Go. On her MySpace profile, she writes, "I'm an ancient healer from Atlantis. I have a broken crystal from the land of the young. It is thousands of years old. Possibly 50,000 years. Spaceships are following me."
Outsider musicians like Galinsky channel the sounds heard in their heads and transfer them onto compact discs, so that others may share in their journey.
"They're definitely some of the most ambitious and eclectic people housed in our local music section, in terms of personality," said Sean Bailey, whose job at the record store Ear X-tacy is to figure out which local bands and artists are worthy of inclusion in the store's inventory.
And they are persistent. Corporate radio stations treat them like red-headed stepchildren, while non-profit WFPK-FM, the city's only meaningful outlet for local musicians, treats them as curiosities at best. But they soldier on.
Markus is the nom de rock of Mark Spence, who’s "42 going on 21". He plays stadium-ready, synthesizer-driven rock that otherwise died in the 1980s after being perfected by the likes of Journey and Whitesnake. Fans (many of them employed at Ear X-tacy, Music-Go-Round and Wild & Woolly Video) tout his pure, Springsteen-esque approach to rock and romance, with songs like “Play It Loud”, “Winner in You”, “This Must Be Love”, “A Better Man”, “Champion” and “Stand Up (Shout Out Loud)” testifying to his single-minded approach.
A grocery store employee, Spence performs all of his songs using computer software programs, lately working with co-writers via phone or online. Spence, like Galinsky, offers his discs for sale through CD Baby, a website popular with independent musicians. "I wouldn't mind having a lot of people listen to me without having to jump through hoops," he said, "and I'm thankful for the internet."
In Jeffersonville, the girls of The Hi-Tops range between 10 and 14 years old and have been playing for four years now. They started after a viewing of Freaky Friday (the remake, not the original) inspired them to rock out like a young Lindsay Lohan.
This past January, they played a showcase at the National Association of Music Merchants trade show, where they performed for a talent scout from Nickelodeon. Locally, they've played at Waterfront Park, the Phoenix Hill Tavern, and at a fundraiser for then-Senator Hillary Clinton's presidential campaign, where they met original riot grrl Chelsea Clinton. When they need to get around, they hop into their brightly colored bus or their limo, a customized 1976 Cadillac.
However, the girls - Ally Whitlow, Bayley Whitlow, Remi Maxwell, Jessie Madill and Madi Cunningham - profess to be more ordinary. "Don’t need to be 'American Idol' / Don’t need to be a movie star / Don’t need to have a fancy title / Just be who you truly are," they preach in the inspirational tune "You". Another song, "Welcome to My World," describes in detail an average day in the teen life. "Can you dig it? I live it!"
Okolona resident Ronald Jenkees hasn't traveled far from his roots ("I grew up in good ol' PRP"), but his videos on YouTube – he calls it, charmingly, "YouTubes" – have made fans out of Katy Perry, Linkin Park and ESPN's Bill Simmons. With an exaggerated country boy persona fused with a passion for videogame-style electronic keyboards, Jenkees has earned 90,000 subscribers on YouTube, people who have signed up to be alerted whenever he posts a new video. Simmons commissioned him to compose a theme for his podcast, and Jenkees is meeting with members of Papa Roach next month to discuss doing a remix of one of the band's songs.
The 28-year-old is able to call music his job, fueled by sales of his album through iTunes and his website. Though he's interested in working as a producer, in the style of trendsetters like Timbaland and Dr. Dre, Jenkees is close with his family, loves his hometown and has no desire to live the life of a touring musician.
For now, he says he’s happy because he gets to combine "two of my favorite things in the world - music and goofiness." His second album - "(It) was supposed to come out last summer, then Christmas, now I've stopped naming dates" - is sure to get more acclaim for the guy who just can't crank out YouTubes fast enough to satisfy his fans.
"People can see when you're really having fun. It's contagious."
c. 2009 Velocity Weekly
Friday, March 06, 2009
Read the graphic novels
By now you're probably sick of hearing all the hype about Watchmen. Heath Ledger isn't in it, and you don't even wear a watch. Plus, you're a literary purist and you heard that they changed the book's ending to make it more Hollywood.
Here are five graphic novels that you can read while everyone else goes to the movies:
"Maus," by Art Spiegelman
The two-part epic, a true story about a Holocaust survivor, his son and the effects of World War II on their people, earned a Pulitzer Prize and forever redefined the possibilities of what comics could do.
"Our Cancer Year," by Harvey Pekar and Joyce Brabner
Fans of the Pekar comic "American Splendor" — and its movie adaptation — might have missed this 1994 title about Harvey's fight against cancer. I know, but it's funnier than it sounds.
"Blankets," by Craig Thompson
This story, also true, beautifully depicts a boy coming of age, discovering love and dealing with religion. It has prettier pictures and is a faster read than any other 600-page work.
"Palestine," by Joe Sacco
Journalist and world-traveler Sacco first got attention with this eye-opening account of his journey to Israel in the 1990s. He shows how everyday people — on both sides — are affected there by the fighting that is consistently going on around them.
"Fun Home," by Alison Bechdel
In flashbacks, the author relates how she realized that she is a lesbian. Soon, she discovers that, in her family, she's not the only one hiding her truth. The title refers to the family funeral home that Bechdel's father ran. Ouch.
c. 2009 Louisville Courier-Journal
Here are five graphic novels that you can read while everyone else goes to the movies:
"Maus," by Art Spiegelman
The two-part epic, a true story about a Holocaust survivor, his son and the effects of World War II on their people, earned a Pulitzer Prize and forever redefined the possibilities of what comics could do.
"Our Cancer Year," by Harvey Pekar and Joyce Brabner
Fans of the Pekar comic "American Splendor" — and its movie adaptation — might have missed this 1994 title about Harvey's fight against cancer. I know, but it's funnier than it sounds.
"Blankets," by Craig Thompson
This story, also true, beautifully depicts a boy coming of age, discovering love and dealing with religion. It has prettier pictures and is a faster read than any other 600-page work.
"Palestine," by Joe Sacco
Journalist and world-traveler Sacco first got attention with this eye-opening account of his journey to Israel in the 1990s. He shows how everyday people — on both sides — are affected there by the fighting that is consistently going on around them.
"Fun Home," by Alison Bechdel
In flashbacks, the author relates how she realized that she is a lesbian. Soon, she discovers that, in her family, she's not the only one hiding her truth. The title refers to the family funeral home that Bechdel's father ran. Ouch.
c. 2009 Louisville Courier-Journal
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