Wednesday, November 14, 2012

Wax Fang 2.0: This time it’s personal

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One day recently, Wax Fang’s Scott Carney glanced at a poster for the release show for his band’s most recent album, La La Land. The date was Nov. 17, 2007.

From the start, it was all too easy. Wax Fang’s first gigs in late 2005, before they even had a name, drew big crowds. The buzz spread quickly about the band led by a little-known singer/guitarist who wrote catchy but weird and glorious art-rock songs, supported by the powerhouse drummer who had toured the world with Elliott and the supple bassist who had recently left the popular Cabin.

They toured with My Morning Jacket, who mentioned them in The New York Times. Pavement invited them to play the All Tomorrow’s Parties festival in England. They signed with indie label Absolutely Kosher. And then … not much happened.

Between real life situations (jobs, relationships, family issues, band dynamics) and music business situations, Wax Fang’s momentum began to stall.

“I started to feel like my soul and essence was being pulled in all these different directions,” Carney says.

A new EP, Mirror Mirror, was released last month, but beyond fulfilling promotional duties, the EP hasn’t been on Carney’s mind much. “My girlfriend texted me (that) morning, ‘Happy release day!’ and I didn’t know what she meant. I wrote back, ‘What’s release day?’ ‘Your EP, you idiot!’”

The songs were written in 2009 and ’10, mixing and mastering was finished several months ago, and the band is currently mastering their next record. “That project is, like, two projects behind at this point.”

Some of the frustrations he was dealing with at the time came out in the song “Dawn of the Dead of the Night of the Hunter,” which he jokingly calls “a jolly jingle — about zombies!”

The closing number, “In Memory,” was written after being present as his grandmother died, seeing her take her last breath.

Carney is ready now to begin the second phase of what will hopefully be a long life for Wax Fang. Drummer Kevin Ratterman left last year, busy running his successful recording studio, but bassist Jake Heustis remains, and the duo have been working with various drummers as they search for the next permanent member.

“We were literally playing the same set for, like, four years,” Carney notes, as the founding trio struggled to find time to work together. Carney and Heustis have enjoyed the casual nature of having musician friends sit in, and this week’s show will add former Cabin drummer Dave Chale and Jeremy Perry of the Deloreans on guitar and keyboards.

What’s next is the remainder of the “Astronaut” trilogy. The first song — a 17-minute journey into sonic space — was released in 2010. Carney was drawn to the concept by “the challenge of it. Just one simple idea, drawn out to … some giant monstrosity.”

It was also an inventive way to keep the band moving forward when they needed something to be excited about.

“At the time, when we finished part one, it was kind of a joke: ‘Yeah, maybe we’ll write a part two someday!’ The next thing you know, that’s what we were doing.” The story will be completed with two remaining songs added on the upcoming collection that Carney calls “a 40-something-minute concept prog-rock album.”

“Part two is probably the most similar to part one. And its length and scope probably takes it to the next level … if you can imagine that,” he says, sounding giddy at the prospect.

“Part one requires a lot of patience, I think, in places, like when you have a six-minute abstract section right in the middle of your song — where, in part two, there’s more momentum, it just keeps moving.

“Part three — there’s a lot more electronic influence in it. I went in a very different direction with that one … It’s got a lot of synthesizer and drum machines, electro-drum overdub things that are very ’80s, for sure, but it’s still, like, guitar/bass/drums. But it’s poppy, for us, as of late.”

It was also a way to expand the possibilities of what Wax Fang can be, he says, folding elements of other genres into their rock trio format. “Space has no boundaries, so why should I?”

WAX FANG WITH OLD BABY AND ANWAR SADAT
Saturday, Nov. 17
Headliners Music Hall
1386 Lexington Road
headlinerslouisville.com
$10; 9 p.m.

c. 2012 LEO Weekly

Jerry Douglas takes a vacation

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Jerry Douglas has made a lot of friends after 40 years in the music business. The 56-year-old, called the world’s greatest dobro (resonator guitar) player, has earned 13 Grammys after performing on something near 2,000 recordings, when he’s not at his day job as a pivotal member of Alison Krauss & Union Station.

The Nashville resident released Traveler, his 13th solo album, in June, his first with an outside producer and the first to feature his vocals. He also plays lap steel and slide guitar on it. The album features appearances by Eric Clapton, Dr. John, Keb Mo’, Marc Cohn, Sam Bush, Bela Fleck, Del McCoury — and on his cover of Paul Simon’s “The Boxer,” not just Simon himself, but also Mumford & Sons.

“Those guys have been friends of mine for a few years,” he says. “We’d been planning on recording together at some point.” He stayed over in London after a Union Station tour to record with the then-rising band. When he thought it was finished, Douglas played it for Simon. “He wanted to play on it, too! My band opened for him a few years ago, and every night, Paul and I would end the whole show with ‘The Boxer,’” Douglas says. “So it’s sort of a mish-mashed version of his version and Emmylou Harris’ version, I’d say. Because the Mumfords knew it from Emmylou.”

Simon approved but wanted the recording to end the way he’d ended it with Douglas onstage. The recording also appears on the deluxe edition of Mumford & Sons’ hugely popular Babel, released in September.

Douglas says he doesn’t care about how that might affect him financially. “It’s more about friendship than dollars and cents … it’s music.”

He’s seen the occasional windfall before, like when the O Brother, Where Art Thou? soundtrack sold millions a decade ago. “Everybody’s ready for something honest, and they certainly are that.”

It’s been “a long time,” he says, since he’s played a solo show in Louisville. (Union Station’s 2002 Live album was recorded at the Louisville Palace.) He used to come back every year for the IBMAs, the bluegrass awards, until they moved to Nashville. “It’s a fickle bunch,” he laments. “Nashville’s actually the perfect place, I think, but I think it’s too expensive for a lot of the folks … it’s country music, and a lot of them just don’t like the big city.”

When LEO spoke with Douglas in October, he was in the Florida panhandle vacationing with his family and celebrating his 25th wedding anniversary before starting his current tour, which brings his quartet to the KCD Theater this weekend. “I’m on the beach — I’m actually in the water!” he said, sounding like a man who’s figured out how to make even a work phone call obligation into something fun.

“I’m on my first and last vacation of the year,” says Douglas. “Oh, man, it’s great, it’s 75 or 80 degrees here now. The water’s warm in the gulf. I’m watching schools of fish go by. It’s nice.”

On his vacation, he’s discovered a band who play Sundays at a seafood joint on the beach. Even off the job, he can’t help but sit in with another band.

“It’s a really great place to retire and start an empire,” he notes.

So, in your mind, retiring also involves a chance to do more work?

“Yeah! I’ll just have a revolving band I can play with — play what I want to.”

Jerry Douglas with Ashleigh Flynn
Saturday, Nov. 17
KCD Theater
4100 Springdale Road
kcd.org/theater
$35-$42; 8 p.m.

Photo by Jim McGuire

c. 2012 LEO Weekly